Bio:
Olana Light is a multidisciplinary artist based in Portsmouth, UK, with an MA from Goldsmiths
(2020) and a BA from Southampton Solent University (2017). She has received numerous awards,
including the Bute Festival Thameslink Award (2024) and Arts Council England DYCP (2024), and
was shortlisted for several prestigious prizes. Olana has exhibited nationally and internationally,
with a recent solo show in spudWORKS in New Forest, and has completed residencies in
Scotland, Tenerife, and Greece.
Olana Light - https://www.olanalight.com/ https://www.instagram.com/olanalight/
1. Could you explain your practice? Only you know why you do what you do.
My artistic practice moves between sculpture, performance, and moving images, exploring the intricate relationship between humans and the natural world. My ongoing exploration of belonging and discovering my place in the world has led me to recognize that we are an integral part of nature. Through my work, I examine how human existence is deeply intertwined with the environment, reflecting on the ways we both shape and are shaped by the natural world. This idea of unity with nature is at the heart of my practice. I invite audiences to witness the human form seamlessly merging with nature, creating a collective "we-world" that transcends societal divisions and fosters a sense of belonging.
By freeing myself from societal norms, I delve into the essence of humanity and our place in the universe. Nature is a constant source of inspiration for me, driving my vision of a future where humans exist in harmony with the natural world. My work encourages others to embrace coexistence with nature and contribute to a more sustainable future. Through sculpture and performance, I aim to spark conversations about our relationship with the environment, the nature of identity, and the accessibility of art. My live performances in public spaces integrate art into everyday life, making it accessible to those who may not typically engage with the arts due to financial or other barriers. By bringing art directly into communal spaces, I hope to create unexpected encounters and meaningful connections between people and the natural world.
2. Is art relevant today?
Yes, art is absolutely relevant today, especially as a way to reconnect with nature in an increasingly disconnected world. Through my work, I use art as a bridge between people and the natural world, creating spaces for reflection, connection, and deeper awareness. In my practice, working with natural materials—whether wearable sculptures or installations—becomes a form of meditation, an intimate process of listening to and learning from nature. By bringing these works into public spaces, I invite others to slow down, observe, and engage with the environment more mindfully. Art offers a space for exploration, not just of the world around us but of ourselves. It allows us to step outside of daily routines and experience something transformative—whether through the quiet act of witnessing or through active participation. In this sense, art is not just relevant; it is essential. It reminds us of our place within the natural world and encourages a more harmonious way of living with it.
3. We are always asked what other artists influence us, we want to know what art
you don’t like and which influences you? I wouldn’t say there’s art I dislike, but I prefer work that I can experience in physical spaces whether it’s installations or performances. I find that I connect more deeply with art that explores our relationship to nature, the body, and transformation I deeply admire Ana Mendieta for her earth-body work, Yayoi Kusama for her immersive installations, and Nick Cave for his incredible costume designs that merge movement and sculpture. Giuseppe Penone’s tree sculptures and Antony Gormley’s interactions withlandscapes inspire me in how they explore humanity’s relationship with the natural world. I also find inspiration in Rebecca Horn’s body modifications, Lee Bul’s fabric sculptures, and many other artists who push the boundaries between the human form, nature, and materiality. For me, the most compelling art is that which expands my understanding of the world anddeepens my connection to nature.
4. If you could go back 10-20 years what would you tell your younger self?
If I could go back 10-20 years, I would tell my younger self to explore art earlier. While I am grateful for every experience—both the challenges and the successes—that have shaped me, I now realize that pursuing my artistic journey sooner could have enriched my growth. Graduating from art school in my late 30s was a pivotal moment in my life, but I do wonder how much sooner I could have started this path if I had embraced my creative side without waiting for the 'right time.
5. If you could go forward 10-20 years what do you hope to ahve done or not done?
In 10-20 years, I hope to spend more time in the studio creating art instead of getting caught up in paperwork and writing proposals. While those things are important, I really want to focus on my work and have the chance to dig deeper into my practice. I’d love to experiment with variety of new natural materials and explore different places around the world to find new inspiration for my art. I want to keep growing as an artist, trying new things, and creating work that has a real impact.