Haus-A-Rest
A Zine by Artists for Artists, it’s for those who turn their raw, real-life experiences into stunning art and bold, captivating prose. We’re all about embracing the offbeat and the extraordinary, curating the untold stories, sharp opinions, and fresh opportunities that surface each month.
Got a spark of creativity itching to be shared? Our Open Calls are your chance to light up the world with your unique vision. So jump in, and let’s celebrate the voices that deserve the spotlight!
Issue54
Kinetic Art: The Language of Movement
Welcome to our exploration of kinetic art, where movement becomes the central element of artistic expression. Kinetic art goes beyond the static, fixed nature of traditional forms, incorporating motion into its very essence. Through the use of many materials and the viewer’s interaction, kinetic artworks are designed to move and change, creating an experience that evolves in real time. This approach challenges our perception, inviting us to engage actively with the artwork rather than simply observing it. The viewer’s role shifts from passive spectator to participant, immersed in a dialogue with the art itself.
The origins of kinetic art can be traced back to early 20th-century pioneers like Marcel Duchamp and Alexander Calder, who introduced motion as a deliberate and integral component of their work. Calder’s mobiles, for instance, use the natural flow of air to create subtle, continuous movement, offering a new perspective with every shift. This concept of integrating motion has since evolved, embracing new technologies and media.
Kinetic art now spans a range of disciplines, incorporating elements of sculpture, physics, mechanics, and design, reflecting a holistic approach to creativity that mirrors the complexities of our dynamic world.
The concept of movement also extends into literature and writing, manifesting as kinetic poetry and expressive narrative structures. Kinetic poetry takes advantage of digital platforms to animate words, using motion to enhance meaning and emotional impact. The text moves across the screen, creating a layered experience that blends visual rhythm with the reading process. Similarly, writing stream of consciousness, captures the rapid, associative flow of thoughts, providing a literary parallel to the fluid, unpredictable nature of kinetic art. Both forms use movement not just as a stylistic choice but as a core part of the reader’s experience, adding depth and a sense of immediacy.
This month, we aim to explore the intersections of kinetic art and movement in writing, highlighting how these forms challenge traditional boundaries. We seek to offer insights into how movement can serve as a powerful tool for expression. Kinetic art and writing ask us to engage more deeply, to see the world as an active participant, and to embrace the idea that art is an evolving, living process.
As you explore the pages of this zine, we hope you’ll discover new ways to appreciate the art of movement, both visually and conceptually. Movement isn’t just an element of these works, it’s a reminder of the ever-changing, interconnected world we live in.
THE CHOSEN PIECES CAN BE SEEN HERE
FOR THE GALLERY AND HERE FOR THE WRITER’S CORNER.
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*****- NEWs -*****
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Our Featured Artist this month is
Elena Thomas
See her Q&A here and find out about her current work and hear her sound pieces
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WE HAVE A NEW RESIDENT WRITER - GRAPHIC NOVEL LOVER AND LITERARY WRITER
MILDRED BURCHETT-VASS
Mildred has a passion for storytelling and visual art, Burchett-Vass provides expert reviews, exploring the latest trends and hidden gems in the world of graphic novels. Dive into her engaging critiques and uncover the power of this dynamic medium in our latest blog Resident, I asked her about her interests in Graphic novels and Mildred said;
I want to review comics/graphic novels/sequential narratives because I feel that current standards of comic reviewing are woefully inadequate. Reviews that appear in the mainstream press often focus on irrelevant discussions of whether comics can be considered ‘literature’, or, failing that, reviewers use frameworks and tools suited only to the written word to analyse texts that are verbal and visual. It is this, I think, which has led to an outpouring of research and discussion on the existence of a ‘language’ of comics. Such approaches are reductive and fail to take into account the distinctive qualities of verbo-visual texts. While it is indeed possible to make use of some literary critical techniques to explore comics, these techniques are only a starting point, and the framework of discussion needs to be widened to incorporate the visual aspect of comics. Analytical techniques popular in film theory can be relevant in such discussions, as can descriptive tools from other disciplines such as psychology and art. There are some excellent peer-reviewed journals devoted to comics studies (for example, Studies in Comics published by Intellect) that provide a more rigorous model for the interrogation of verbo-visual texts. The study of comics presents an intriguing opportunity for interdisciplinary research and the cross-pollination of techniques and methodologies. I want to write comic reviews that focus on this opportunity, instead of relying on direct comparisons with other genres.
SEE HER LATEST REVIEW ON OUR RESIDENT BLOG PAGES CLICK HERE TO READ ON….
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This issue’s resident creatives include our Graphic novel bookworm Mildred Burchette-Vass, critical art writer Michaela Hall, and our wordsmith poet Peter Devonald. With special guest - Elena Thomas and our editors and creators Nichola and Jenna
!! Calling Artists & Writers!!
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Adolf Wölfli's Irren-Anstalt Band-Hain, 1910 - Anna Zemánková, No title, 1960s - View inside the Collection de l'art brut museum, Lausanne - Two images of Joe Minter's African Village in America, a half-acre visionary art environment in Birmingham, Alabama. Scenes include African warriors watching their descendants’ struggles in Alabama, tributes to black scientists and military leaders, recreations of the epic civil rights confrontations in Alabama, and biblical scenes.
“OUTSIDER ART”
Haus A Rest is thrilled to announce an open call for artists, writers, and poets to submit work for our upcoming exhibition and publication on the theme of "Outsider Art." This exhibition celebrates self-taught artists, unconventional creators, and anyone working outside traditional artistic norms and institutions. We’re looking for authentic, raw, and boundary-pushing works that defy conventional art world categories.
What is Outsider Art?
Outsider Art is often defined by its independence from formal training or the "rules" of mainstream art. It is created by those who express their inner worlds without concern for artistic trends, commercial appeal, or conventional expectations. This art springs from personal vision, emotional truth, and unique, often unfiltered perspectives.
This open call is dedicated to highlighting voices that bring fresh, diverse, and unexpected viewpoints, especially those that might be underrepresented in the traditional art scene. We invite all creators who identify as outsider artists or whose work is unconventional, self-taught, or rooted in unique life experiences.
Submission Guidelines:
We welcome submissions in a variety of media, including:
Visual Art: Paintings, drawings, sculptures, mixed media, digital art, collage, photography, and more.
Text-based Work: Written or visual poetry, art journaling, experimental text, and other word-based art forms.
Multidisciplinary/Other: Unclassifiable forms, assemblage, found objects, or installations.
Submission Specifications:
Visual Art: Submit up to 3 images (.jpeg ) with titles, dimensions, and a brief description of each piece (max 200 words).
Text-based Work: Submit up to 3 pieces in .docx or .pdf format, with each piece accompanied by a description of how it aligns with the Outsider Art theme.
Musicians/Sound/video Artists: Submit up to 3 audio tracks (mp3 or link to YouTube, Vimeo), along with a brief description (max 200 words) of how your work ties into the theme of "unfinished."
Additional Requirements:
A short bio (max 150 words) that includes your background and connection to outsider art.
Deadline for Submission:
3rd December 2024
What to Expect:
Selected works will be featured in our online gallery and in the 55th Zine issue This exhibition and publication aim to celebrate unique perspectives and unconventional creativity, providing a platform for voices often unheard in mainstream art spaces.
Please note:
* We love to see short films. We accept Vimeo and YouTube only. Please make sure they are set to public.
* Please only submit work that is your own and meets the theme.
https://www.facebook.com/haus.a.rest
Submission Guidelines can be seen on our links at the opportunities pages or via the link here https://www.curatorspace.com/opportunities/detail/free-open-art--writers-call--for-issue---haus-a-rest--theme-outsider-art/8792
feel free to get in touch via the form below with your ideas & Questions …
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<<<<<IN other NEWS>>>>>
see our new A MENTORING
OPPORTUNITY pages
We think that the art world can be a tricky place to navigate, especially when you're coming to the end of your course and are not sure what’s next.
We have decided to run an open call for any artist who is at an early stage of their art career. This is not age-restricted, all we ask is you meet the criteria below…
If you are in your third year of an art degree, an MA / Mlitt, or are in the first three years of your art practice and would like to have 3 x one-hour sessions 1:1, one a month for three months (via Zoom or Teams) to bounce ideas, ask advice, gain practical steps and support from the Haus-a-rest team then contact us via our form here…
Please note there is no funding for this opportunity, it is your chance to be mentored by two artists who have been around the block to offer support and suggestions to help support your art journey.
There are two places available
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Looking ahead, we plan to deepen our interactions with artists through several exciting initiatives:
Mentorship Program: We are launching a mentorship program of six intensive sessions designed for early-stage and established artists. This program will provide personalised guidance, helping artists navigate their careers, develop their skills, and achieve their creative goals. Each session will be tailored to address specific challenges and opportunities faced by artists, ranging from creative development and project management to marketing strategies and networking. Our mentors, who are experienced professionals in the art world, will offer invaluable insights and support, tailored to each artist's unique needs. The goal is to create a nurturing environment where artists can thrive and push the boundaries of their creativity.
Live Exhibitions: We aim to host live exhibitions, creating immersive experiences where artists and art lovers can connect and engage with the works on display. These exhibitions will be curated to highlight the diversity and innovation within the artistic community, featuring a mix of mediums and styles. By bringing art into physical spaces, we aim to bridge the gap between digital and physical art worlds, offering a platform for artists to showcase their work in a tangible, impactful way. These exhibitions will elevate the artists’ profiles and enrich the audience's appreciation of contemporary art.
In-Person Reviews: In addition to our digital reviews, we plan to offer in-person review sessions. These face-to-face interactions will provide artists with direct, immediate feedback, fostering a deeper understanding of their work. Our reviewers, who are seasoned critics and curators, will offer constructive critiques aimed at helping artists refine their techniques, expand their conceptual thinking, and enhance the presentation of their work. This personalised feedback will be instrumental in helping grow and improve, making their artistic journey more robust and informed.
Physical Events: We plan to run a series of physical events, providing spaces for artists to meet, collaborate, and share their work in person. These events will include interactive workshops, panel discussions with industry experts, and networking opportunities designed to foster a vibrant and supportive art community. Workshops will focus on skill development and creative techniques, while panel discussions will address current trends, challenges, and opportunities in the art world. Networking sessions will create a platform for artists to connect with peers, potential collaborators, and art enthusiasts, building a strong community that supports artistic innovation and professional growth.
Through these initiatives, we aim to create a dynamic and supportive environment that nurtures artistic talent and fosters meaningful connections within the art community. Our goal is to empower artists, provide them with valuable resources and opportunities, and celebrate their contributions to the cultural landscape
